Fri, 02 May 2008 Propellerheads Reason 4 Review
Is a new software synthesizer reason enough for an upgrade?
- Manufacturer: Propellerheads
- Pros: Lots of synthesizers, mixers, arpeggiators, drum machines, audio processors, and virtual patch cables
- Cons: Virtual rack format looks a bit silly and limited on a big monitor, a bit of a jack of all trades and master of none
- Min specs: Min spec: G4, OS X 10.4, 512MB RAM
- Price: £299
- Star rating:
Reason’s virtual rack format was a big hit when it appeared in 2000. The idea of emulating a customisable rack full of synthesizers, drum machines and audio effects had instant appeal, because it was so easy to understand. Since then, Reason has kept the core model and added new features.
What’s different in this version is that not much is different. The biggest addition is the Thor softsynth, which is a multi-format monster packed with synthesis and modulation options. It’s so powerful you can almost ignore the older softsynths because it can cover most of the same ground – although big patches can be processor hungry, so the older softsynths like Subtractor can still fill in handily for smaller jobs. The sound is good, but not earth-flatteningly massive. There are some clever effects, but there are so many softsynths available elsewhere now with so many features that Thor struggles to stand out sonically.
Also included is an arpeggiation module cannily called RGP-8 – perfect for trancers – and an updated sequencer with better automation and clip support. It doesn’t support audio loops, however – you’ll need to load them into a sampler module, which isn’t the most intuitive approach.
There’s also a unique ReGroove mixer. Expert sequencer users know that tiny timing and volume changes lock listeners in to the beat. With ReGroove a groove feel can be applied to an entire song – or each track can have a subtly different feel.
It’s a clever and original idea, and in gifted hands can breathe life into songs that otherwise sound mechanical and sterile already.
If you love Reason already, you’ll love the new features. If you’re new to sequencing and synthesis it’s a good entry-level environment, and for the price you get a fantastic range of virtual instruments and effects – almost literally a studio in a box.
The catch is that once you get more experienced, Reason’s rigid format starts to get in the way. Big patches suffer from endless up-and-down scrolling as you change settings. Reason’s improved sequencer still isn’t as polished as it could be. And it’s still odd that you can’t record and process audio with it.