Ivory 1.0 full review
Virtual instruments let musicians integrate a wide variety of sounds into arrangements, and they eliminate the tedious steps required to set up and record the real thing.
But the downside of virtual sounds is that they can sometimes be simply ‘good enough’ rather than convincing and truly musical. This is not the case with Synthogy’s Ivory 1.0, which provides the sound of three beautifully rich and full virtual grand pianos.
Synthogy’s engineers, formerly of Kurzweil Music Systems, stereo recorded every key on three distinctive grand pianos – a German Steinway D 9-foot Concert Grand, a Bosen_dorfer 290 Imperial Grand, and a Yamaha C7 – from key strike to final decay, multiple times and at a variety of dynamic levels, including at a muted level. The resulting presets are superb, but Ivory also offers a complement of controls, from tuning, timbre, and release points to sustain resonance – all of which affect sound characteristics. You can even specify the amount of sound made by the physical mechanics of playing the keys and made by string vibration. There are also digital effects for chorusing and equalisation, and Synth Layer, which enables you to add string and synth pads for fleshing out an arrangement.
The three piano-sound libraries, totalling 32GB, can be loaded individually or all at once – a process that took an hour and a half with a dual 1.25GHz G4.
During play, Ivory puts heavy demands on your Mac. It requires 512MB of RAM and a 450MHz G4 CPU, but Synthogy recommends 1GB of RAM and a 1GHz CPU in order to utilise all the program’s voices and controls.
Ivory has plug-in modules for RTAS, VST, and Audio Units-based sequencers. The Audio Units version crashed Apple’s Logic Pro 7 in our tests, but an update that fixes this problem is available on Synthogy’s website. A standalone version of Ivory that enabled you to play gigs without having to launch a resource-draining sequencer would be nice.